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Monday, February 20, 2012

Donna Crow's A Darkly Hidden Truth


Good morning and welcome, Donna. I was so impressed after looking at your blog. You've got a long list of books to your credit. The amount of research you've done must be mind boggling.



I'm happy to be here, June. A particularly perceptive reader once asked me, "What drives you?"

Ah, good question! Writing is hard work. One must be self-motivated and determined to get up every morning and go to the computer (or typewriter as it was in those days). The answer obviously wasn't money. I did make a modest income, but less than I could have been making teaching school as I did before becoming a full-time writer. Spiritual calling? I certainly hope so— in the sense that all my life is devoted to serving God. But there are other things I might be doing for the Kingdom.



"The story," I replied. "I want to tell my characters' stories." This is especially true when working with historical characters, as I almost always do in my books. Whether the historical characters are my hero and heroine or background characters, I'm driven— I'll use the word— to tell their story.



We can learn so much from people of faith from the past. They have fought, suffered, endured to pass the faith on to us. We need to know and appreciate what they have done.



It was many years ago when I was first asked the question, but my answer holds just as true in my 39th novel which I am now working on, as it did in that very first series my reader asked about.



A Darkly Hidden Truth, The Monastery Murders 2, has two remarkable women in the background whose stories I have long wanted to tell. Julian of Norwich and Margery Kempe were both mystical medieval women writers and their life spans crossed— they actually met in an event Margery records— but they lived far different lives, had far different personalities and wrote in vastly different styles.



Julian of Norwich (1342-1416) became the first woman to write a book in English when she wrote an account of the 16 mystical "showings" she experienced of the love of God.



After her amazing showings Julian lived a life of quiet contemplation as an anchoress in a single room attached to a church in Norwich, going nowhere and seeing only her servant and those who came to her world side window for counseling— Margery being one of those seekers. Margery travelled the world, going on pilgrimages as far afield as the Holy Land and Santiago de Compostelo.



Julian wrote her Revelations of Divine Love, speaking only of her visions and of the love of God for his creatures. She divulges no details of her personal life— we don't even know her name. We call her Julian because that was the dedication of her church. We know how she would have lived because she lived by The Ancrene Rule which set out rules for anchoresses. That left me free as a novelist to imagine a life for her prior to her visions which she experienced at the age of 30. Had she been married? Had she taken vows as a nun? No one knows, but I had great fun entering into "what might have been."



Margery Kempe (1373-1440) "wrote" the first autobiography in English, although she was illiterate, by dictating it. Unlike Julian, Margery tells all. Even of the joyous sex life she shared with her husband. (They had 14 children.) She tells of her period of madness after the birth of her first child. She tells of her spiritual struggles with earthly vanity. She tells of her shrieking and bouts of uncontrollable weeping that made one group of pilgrims abandon her so that she had to cross the Alps in a blizzard with only an aged priest as companion.



And yet both women tell of the love of God, of the goodness of life. They speak of joy and beauty in the midst of unbelievable suffering. They tell stories I could never invent in my wildest fantasy. And it's all true. And it's all ours because two women centuries ago put their unique experiences on paper. And now I have the privilege of telling their stories alongside the adventures of my fictional Felicity and Antony in A Darkly Hidden Truth:



Antony needs Felicity's help to find a valuable stolen icon. But Felicity is determined to become a nun. Then her impossible mother turns up unannounced. And a dear friend turns up murdered. Felicity and Antony are off on another adventure that takes them from remote Yorkshire to London to the soggy marshes of the Norfolk Broads. Felicity learns the wisdom of holy women from today and ages past and Antony explores the arcane rites of the Knights Hospitaller. But what good will any of that do them if Felicity can't save Antony's life?



Donna Fletcher Crow is the author of 38 books, mostly novels dealing with British history.  The award-winning Glastonbury, an Arthurian grail search epic covering 15 centuries of English history, is her best-known work. Donna and her husband live in Boise, Idaho.  They have 4 adult children and 11 grandchildren. She is an enthusiastic gardener.



Her newest release is A Darkly Hidden Truth, book 2 in her clerical mystery series The Monastery Murders. She also writes the Lord Danvers series of Victorian true-crime novels and the romantic suspense series The Elizabeth & Richard Mysteries. To read more about these books and to see book videos for A Darkly Hidden Truth and for A Very Private Grave, Monastery Murders 1,  as well as pictures from Donna's garden and research trips go to: www.DonnaFletcherCrow.com.

9 comments:

Donna Fletcher Crow said...

Hi, June. What a delight to be here on your beautiful blog. Thank you for the chance to connect with your readers.

Sylvia A. Nash said...

June, your web page is bright and cheery. Thanks for inviting Donna today. Donna, I did a paper on Julian of Norwich in my graduate work about, oh, 100 years ago! I was very impressed with her, too, but it was so long ago, and I've logged so many miles since then (and forgotten so much), that it was nice to be reminded of her. Thanks!

Diana Brandmeyer said...

Love your life! My husband and I had planned to do something similar but it isn't going to work out.

Do you find it hard to settle in to writing when you are in a new surroundings that beg you to explore?
Diana
www.pencildancer.com

June Foster said...

Thank you for visiting with us today, Sylvia

Diana, For four or five years we explored much of the United States. I even did numerous scrapbooks on our travels. Then I felt God calling me to write, so since that time, I mostly pound my keyboard, but we do take out time to see new places. Thanks for visiting today.

Donna Fletcher Crow said...

Sylvia, funny how many of my experiences were about a hundred yeears ago, too (if you round off to the nearest hundred.)!

Diana, I realize your question was for June, but I'll just jump in, too, to say that I take copious notes and photos when I'm in the travel/research mode--also buy all the guidebooks I can carry. The actual writing has to wait until I'm home and quiet--your word "settle" is the key.

Jean Ann Williams said...

Donna, your book sounds very fascinating. I had never heard of those two early century women that wrote for an audience. That is so neat. Your work sounds fun, but a lot of work, too.

So am I understanding that you weave these two women into your book's fictional story?

June Foster said...

Hi Jean Ann, I'm sure Donna will answer too but I believe the answer is yes. Interesting, huh?

Jeff Reynolds/Becky Reynolds said...

I've had the privilege of reading Book one (A Very Private Grave) and am currently reading A Darkly Hidden Truth. And enjoying it.

One thing this makes me think of, and maybe Donna might want to comment on it -- do you think there are parallels between Julian and Margery with Sarah Young, author of Jesus Calling? Just curious.

Have a blessed day.

Jeff

P.S. If you don't mind me plugging another blog page, my interview with Donna will be posted on Hoosier Ink's web page this Friday.

June Foster said...

Jeff, I know her readers will be looking forward to it.

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